Can't make just one

Hi friends.  You probably know by now that I can't make just one.  I've made a number of these little boxes over the past few years.  Well, I figured that I really needed to make one for the boys.  Yeah.  No flowers or pretties on it.  How about WOOD?  Well, yes, I would if I weren't afraid to use some of those woodworking machines.  So what's the next best thing?  Faux wood, of course.

I use faux wood techniques quite often in cardmaking, so why not on a box.  The basic technique to create faux wood is to drag ink pads down the paper, repeating with several colors - mostly working in browns, but other colors work as well.  

Recently, I discovered a variation from my friend Ann on Split Coast Stampers.  What I like about this technique is the color is smoother than simply dragging the ink onto the paper.  

Please refer to my last post for more details on the basic construction of the box.  

I used a 4"x12" piece of barely banana card stock and smaller pieces for the cover and bottom.  Start by scoring lines every half inch across the card stock.  You can vary the width between score lines if you want.  The next step can be done on either side of the paper.  I prefer to use the bumpy side, because the ridges pick up the darker inks and give board delineations.  The other side portrays those lines as the color of your light card stock.  Either way works.  Put some white glue (I'm using Elmer's school glue) on the paper and use an old gift card to spread it all over the paper.  Then let it dry.  I'm pretty sure you could speed up the drying with a heat gun, but the heat will bubble the glue, so I prefer to just let it air dry.  

Once the glue is dry, drag your ink down the card stock in the same direction as your score lines.  I used distress inks: antique linen, tea dye, vintage photo, and early espresso.  The two lighter colors, you can use a heavy hand when dragging, but you want to go lighter on the vintage photo, and much less with the early espresso.  I also will lightly swipe the edge of the darkest color randomly to add a bit more detail for wood grain.  

Once that was dry, I measured and trimmed the ends to meet without overlapping.  Then I attached the strip around the box, cut wedges along the bottom and glued those to the bottom.  Circles were cut from the faux wood for the bottom and cover of the box.  

I painted the edge of the cover brown to blend in with the wood.  Everything was given a coat of Matte Mod Podge.  

 I see in the photo that I managed to get the seam right in the front, so you can see how that works.  It shows less on the wood grain than it did on the previous box, but I do like the flat seam better than overlapping.

This box went together much faster than the previous box, because there was no stamping required.  Other than drying time, the faux wood is a very quick technique.

Thank you so much for taking time to stop by today.  Have a wonderful day. 

my latest project

Hello my friends.  A friends daughter just had a birthday, and I wanted to make something for her.  Since I do a lot of thread crochet, I have the cardboard spools left from the thread.  I save them unless they are really mutilated.  They make great little boxes.  

Since these are open-ended, it's necessary to add a bottom, and I normally also want to have a cover.  I have a number of circle dies, so I try to find one that fits the diameter of the tube.  Then I use chipboard to cut the circles.  I keep chipboard from cereal boxes, cracker boxes, the backs of paper pads, etc., anything that is sturdy and not all bent.  If necessary, I glue layers together to make it sturdy.  

For this box, I only used a single thickness for the bottom, but the cover is six layers -- three the sit on top and three that fit inside the box to keep the cover in place.   Since it's difficult to cut multiple layers, I cut the circles individually, and then glue them together.  I place them beneath some old encyclopedias, while the glue dries, so they remain flat.  

Then comes decorating.  For this box, I stamped some poppies on a 4"x12" piece of light yellow cardstock.  Then I colored them with watercolor pencils and blender pen.  Over the top of the flowers, I randomly stamped a crackle background and old writing.  I glued the strip around the tube.  Instead of overlapping the strip as I usually do, I trimmed the ends to meet, creating a smoother box.  Along the bottom edge, I cut out wedges, and folded the points over to the bottom and glued them.  I added another cardstock circle on the bottom to cover those. 

I sponged the edges with coffee archival ink, and then sponged on a thin layer of matte mod podge to seal it.  

For the cover, I first glued all the layers together.  I used an emery board to smooth the edges.  I glued cardstock circles to the top and bottom of the cover.  Then I stamped a different poppy five times on some scraps of cardstock, colored them the same as the others, and cut them out.  After stamping the background, I glued the cut flowers around the top of the cover.  I sponged the edges, and added the matte mod podge.  I decided I wanted to add some metallic gold lumiere paint randomly to the whole box, so I used a dry brush technique for that.  It doesn't really show up in the picture.  For the center of the cover, I used some silk flowers.  I put a jewel brad in the center to hold all the layers together.  Then I painted the flower petals with some shimmery paint.  The flower is attached to the box with hot glue.  

One last special touch was to decorate the underside of the cover.  I die cut a fun little medallion and painted it gold for the center, and then I added a special message with die cut letters, because we all need to be reminded.  The letters are actually red; I'm not sure why they look pink. 

Thank you so much for taking time to visit today.  I hope you are staying safe and well.

The SU ink topper

 Hi friends.  Well, I did it.  I spent quite a bit of time yesterday and today putting it together, but I finally finished small rack for the top of my SU ink storage.  I have 15 older ink pads which didn't fit in the main rack, and whenever I wanted to use them, I had to literally dig them out from where they were stored.  Now, they are with all the others.  I store all my inks alphabetically, but for the moment, I'm not going to incorporate these into the rack with the rest, for the simple reason that I've gotten so familiar with the position of the inks in the rack, I don't really have to look for them.  I know certain ones are at the top or bottom, etc.  I may change my mind on that later.  

Since there was plenty of space, I added slots for the ink pads, an open area on the side of those for the few refills that I have matching these inks, and a deeper spot in the center for markers.  

Because there's a bit of a well in the top of the wood rack, I added several layers of corrugated cardboard beneath the new storage rack, so that it sits above the wood.  Otherwise I wouldn't have been able to use the bottom slots.  

Here's the picture.

Thank you so much for visiting today.  Have a wonderful day.

More ink storage

Hi friends. 

After making the large revolving rack for storing my distress ink pads, I knew that I also wanted to make storage for other inks that I have, since they were being stored in places not very accessible.  So, using the same method I used for building the other rack, I made four more smaller racks that fit my other ink pads.  Since these were not all the same size, I made them to fit groups of similar ink pads. Which means they are different sizes.  But I moved my ribbon, so I could put these in a place easy to reach. 

The upper left unit holds archival and a couple other Adirondack inks, VersaMark, Encore, and Fabrico inks.  Lower left holds Brilliance and Stazon inks.  Upper right holds ColorBox pigment inks.  Lower right holds ColorBox Chalk inks and a few thicker pigment inks. 

I do have some Kaleidacolor inks, but haven't decided yet if I will make a unit for those.  I probably will. 

My Stampin' Up ink pads, refills, and markers are stored in a wooden revolving rack that I won years ago.  However, I have more inks than fit in it, so I'm planning to make a small rack (or more than one) to fit on top of that revolving unit to hold those extra inks. 

While in the process of all this building, I also made a couple of boxes to hold some things.  I have a stand that I wanted to make some open boxes for. 

There are ridges near the center and the center post, so I needed to work around those.  I made 4 parts for each shelf, but because of the angles involved, and the chipboard is thicker than I usually work with, they were a little too big, and didn't fit.  So I glued them together where the angles meet, added a bottom piece and made these instead. 

I don't know how to figure the angles, so it was mostly guesswork.  They are not perfect, not fancy, and not pretty, but will work to hold something.  I haven't quite decided what yet.  I will probably try again to make something that fits, but not this design.  I know I can add a filler and just build on top of the ridges, which would make it much easier, so I may do that. 

Thanks so much for taking time to visit today.  Stay safe and be blessed.

And the gazebo on top

Hi friends.  In my last post, I showed you my new ink storage unit, which now houses all 120 of my distress and oxide ink pads.  I wanted to make some sort of cover over the top to keep the dust off the items stored there.  So I decided on an open gazebo.  Without going into all the detail, I made supports, both vertical and horizontal, from 2" wide chipboard, folded into a square tube.  I added decorative sides and a slanted roof, with a little decoration on top.  Not being an engineer, the roof was totally guesswork, and I was thrilled that it worked on the first try.  The gazebo lifts off for easy access to the supplies stored beneath it. 

This is the full unit.  My distress inks are on two sides, and distress oxides on the other two.  I store them alphabetically in vertical columns.  I have room enough to add 24 more ink pads.  These are the regular 3" pads.  So far stored on top are blending brushes and blender pens.  I'm not sure what else will go there yet, but most likely things that I use all the time, so they are within easy reach. 

Thanks so much for stopping by.  Have a great day. 

My new ink hotel

Hello.  I know it has been a long, long time since I posted.  Maybe my life is just that boring?  Well, I don't think so, so I guess I have no excuse.  I know I'm a big procrastinator.

Anyway, for mother's day my daughter made a new header for my blog as you can see.  I had completely forgotten that I'd asked her to make one, so that was a nice surprise.

Six years ago I created an ink pad holder for my distress ink pads.  You can see it here.  Well, it wasn't too long after that Ranger introduced some new colors, so all my inks didn't fit in the holder.  Then, they also produced all the colors in distress oxide inks.  These are the things I put on my wish list for my family to buy as gifts, so I now have the full set of those as well.

So I decided that it was time to make some new storage.  I wanted all the distress inks in one place, so I started construction.  Now be advised I'm not an engineer, and I design as I go, so the final product is certainly not perfect or even designed well, but that's OK by me, as long as it works.  My husband kept calling it a roach hotel, but I think ink pad hotel is a much better description, since we do not provide housing for roaches here.

I should warn you that this will be a long post with lots of photos.  I wanted to give a lot of the step by step procedure that went into the making.

I built the entire unit from cereal box (cracker box, pizza box, etc.) chipboard, corrugated cardboard, and tacky glue.  There is also a small amount of stamped cardstock.

I started by cutting pieces which would hold the ink pads.  These are cut 2-1/2"x8", and scored at 1", 4" and 5".  I taped the edges together.  The ink pads will hang out the front by about 1/2", so I can pull them out easily.  The total unit will hold 144 ink pads, so that's how many I cut and folded. 

Yes, that 2nd picture is the whole bunch!  Then I started gluing them into towers of 12 each.

The next step was to add extra chipboard on the sides for support and then glue towers together in sets of three. 

As I said earlier, I design as I go, at this point, I thought it would help if they were brighter, so I painted all the insides with white acrylic paint -- not spray paint, because I didn't have any -- with a brush.  A lot of work, but it made such a difference.  After I finished painting, I added a back panel.  These were already white on one side, so I didn't need to paint them. 

Because of the way I was going to put the towers together, one side needed some decoration, so I stamped white card stock with ultramarine stazon, and then sponged places with azure stazon, and coated them with matte mod podge to help keep them clean.  I attached these panels before gluing the triple towers together.

Now, since it's obvious that with four sides, the unit needs to turn, so there is access to all four sides.  I had an 8-sided lazy susan that I decided to use.  There is a small indented cavity on the top, so I decided to utilize that to keep the unit from sliding off the base.

Since the towers act like walls, there is a large open area in the center.  I did the same stamping procedure to cover the top around the opening. 

I built a base that fit into the cavity, as well as up into the open area of the storage unit.

The unit sits nicely on top of the base.

I thought it made sense to use that open area on top for additional storage, so I made a partitioned box to hold my blending brushes, and some other items (which I haven't figured out yet).

Since this box was going to be sitting at the top, I needed to add some braces for it to rest on.

I added an additional flat square made from two layers of corrugated cardboard on top of the braces, and the box sits on top of that.

Here is the completed unit.  The base is not permanently attached to either the unit or the turn table, and the storage box on top is also not permanently attached.

And here's a photo with some ink pads in it.  I did not fill it with all my ink pads, because I thought it would be too heavy to move, and it needs to go into a different room -- as soon as I clear a space for it.

Thanks so much for taking time to visit today.  I hope you enjoyed the process of building my ink hotel.

Edited to add:  Please see my next post to view the unit with the gazebo dust cover on top

butterflies continued...

Well, hello!  I can't believe I haven't posted in almost a whole year - since January.  Shame on me!

If you remember, back in 2016, I wrote a post about a butterfly quilt that I was making using hand applique.

Well, a few months ago, I finally had all the blocks finished and ready to put together.  Once a month I get together with some other ladies at a bobbin lace guild meeting in Fort Atkinson.  We meet in a good sized room at the local library, so I knew I'd have some floor space.  I took all my butterfly blocks and laid them out on the floor in rows.  Then I played with the positioning of the blocks, trying to separate like colors, so that I didn't have a glob of one color.  Of course, it helped to have input from the other lace members as well.  There really isn't a "perfect" layout, because it's a scrap quilt, so at some point, I just had to say "done" and go with it. 

As you can see, I must have been having so much fun making the blocks, that I have four extra.  Or when I was counting, the fabric stuck together, and I counted wrong.  Hmmm... the beginning of new project?

Once I was satisfied with the layout, I took a few pictures on my phone, and then pinned a block number on each block (A1, A2, etc.), so I would know what order to put them together (just in case they got dumped - gasp! and all out of order).  I removed all the pins after the blocks were sewn together. 

Here's a couple of pictures of it on a bed. 

The blocks are sewn together, but I haven't decided what to do for the antennae.  I may just do those as part of the quilting.  I may or may not add a narrow border around the outside.  And I have yet to choose some backing material and put the layers together. 

And here's a close up of a small portion. 

I want to hand quilt this, so I'm sure it will be years before it's finished.

The extra blocks may end up like these pillows.  The pillow casing overlaps in the back so the pillow can be slipped in.  The band just slips over the pillow.  You can change the bands for seasonal decorating, and it makes for easy laundering.

Thanks so much for stopping by.